Select Language

English (United States)简体中文(中国)EspañolFrench (Fr)Japanese (JP)Russian (CIS)GermanHinduArabicKorean

Sign up for our email newsletter today!

A+L Search

Latest Events

No events

VirtueMart Product Scroller

VirtueMart Shopping Cart

VirtueMart
Your Cart is currently empty.

Jeff Cardoni & Kevin Kiner CSI

NEXT

Composers, CSI: Miami

The vibrant music viewers of CSI: Miami hear each week comes from the minds of composers Jeff Cardoni and Kevin Kiner, who had never even met before they were paired up to co-compose for the hit show. Cardoni, who had scored many films, including the last two entries in the American Pie franchise, and Kiner, who has scored all kinds of television, including the current animated show Star Wars: Clone Wars, both “auditioned” by scoring an episode. “The executive producers felt they liked certain elements of Jeff’s and mine, so they asked if we would be interested in co-writing,” Kiner explains.

Their collaboration on some 130 episodes over seven seasons has been a surprisingly smooth process. “The first couple of episodes, we really talked about what we wanted to do, unique sounds we might have,” says Cardoni. “We wanted the sound to be organic more than electronic, using real sounds, stringed instruments, percussion instruments that might be Miami-esque. We spent a lot of time, at least in the beginning, to make sure we did sound similar. But it’s weird—after a handful of episodes, it’s hard to tell who did what. Our styles have kind of melded into one.”

Both composers attend a weekly “spotting” session, where they watch the edited episode. Then, they divide up the music that needs to be written. “We’ll come up with a theme for that show—a melodic motif or a theme for one of the bad guys,” explains Kiner. “And sometimes that thing is just a sound, an element, because the score can be very textural and ambient…We’ll bounce things back and forth with each other.”

Co-Executive Producer Gina Lamar says the music is integral to the show. “The music Jeff and Kevin create covers the gamut,” she says. “We count on them for cues in scenes that require hip process, comedic beats, action and drive, a win or a loss by our CSIs, the entire emotional range. Everyone on the show, beginning with the writers through the intense production process and finally in post, push to bring something new and different on every episode, which is why Jeff and Kevin are such a great part of the team. They never stop evolving.”

Doing music for a living is indeed much more fun than what both studied to do in college. Cardoni, who grew up in Pennsylvania, graduated from Penn State. “I got a degree in engineering to make my father happy. I had played classical piano for ten years as a child and played drums in rock bands to support myself though school. As soon as I got out of college, I got the guts to pursue music,” he recalls.

Cardoni was touring with a band when he got a lucky break that eventually transitioned him to composing. The brother of the band’s bass player was a music supervisor on big films, including Austin Powers and Charlie’s Angels. Cardoni and the rest of the band’s members were able to get songs and other music in those huge blockbusters.

“He kind of opened my eyes to film scoring, became our manager, and we started placing songs in movies, which eventually led to the scoring process. I took a scoring class at UCLA and realized it was my true calling,” says the composer.

Kiner, hailing from Escondido, California, was pre-med at UCLA. Having studied guitar for many years while in junior high and high school, he started playing in clubs around town to get income while in college. Eventually, he wound up going on the road for a few years, becoming music director for several acts before transitioning to composing.

Working on CSI: Miami has been creatively fulfilling for both men. “The producers on the show are not interested in taking it easy. They’re constantly wanting to change and push it. It’s ‘How can we be different for this episode?’” says Cardoni.

Kiner concurs. “One thing Jeff and I are most proud of is that, week to week, every episode is quite different and eclectic with what we do on the show,” he says. “You have a lot of eye candy going on, and we try to put in a lot of ear candy.” With all the cool, current and interesting music they create, Cardoni and Kiner certainly succeed. ≤

A & L Highlights

Mondavi Family Winemakers 19 January 2010, 16.00 Chefs & Wine Makers
Mondavi Family Winemakers
21st-Century Napa: A Look At The Players Leading The WIne Capital of North America Into The Next Decade and Beyond When you’ve been making wine as long as the Mondavi family has, it’s not just business, it’s about
Read More 1378 Hits 0 Ratings
Puttin’ On The Ritz 22 June 2006, 16.00 Hotelier
Puttin’ On The Ritz
IT TAKES ARTISTRY TO GIVE RITZ HOTELS THE ELEGANCE THEY EXUDE Ritz hotels around the world are famed not only for their own exquisite offerings but also for the artistry they inspire in their guests. (Tennessee Williams
Read More 1779 Hits 0 Ratings
Now's His Time 31 January 2010, 16.00 Admin_Joomla Createista
Now's His Time
As GM's Global Chief of Design, Ed Welburn looks to the future Ed Welburn says he was cheered to find the new Chevrolet Camaro emblazoned on the front page of the New York Times this past July. “Believe it or not, Gene
Read More 5203 Hits 0 Ratings
Picasso: The Genius of Modern Times 23 April 2006, 16.00 Artists
Picasso: The Genius of Modern Times
The originality of Pablo Picasso continues to inspire today No other artist is more associated with modern art than Pablo Picasso (1881-1973). Arguably the most prolific artist of all time, he expressed himself through 
Read More 1391 Hits 0 Ratings
A Winning Bid 08 May 2008, 16.00 Galleriests
A Winning Bid
Santa Monica’s Robert Berman continues to shake up the art world with his innovative mind and enthusiastic attitude For almost thirty years, Robert Berman has been at ground zero of L.A.’s contem- porary art scene an
Read More 2042 Hits 0 Ratings
The Getty Foundation 02 November 2009, 16.00 Philanthropist
The Getty Foundation
When our country’s largest biennial of international contemporary art, Prospect.1 New Orleans, opened in New Orleans in November 2008, it breathed new life into the historic but ravaged city. And it would not have been
Read More 2050 Hits 0 Ratings
Making Modern Classics 04 January 2008, 16.00 Designista
Making Modern Classics
Laurence Geller opens up about his own personal canvas: the hotel. I’m a hotelier. I star ted as a chef, I grew up through hotels...in its purest form it is creation, but it’s creating a product that costs hundr
Read More 2894 Hits 0 Ratings
The Aesthetics of Volume 16 April 2007, 16.00 Artists
The Aesthetics of Volume
An Interview with Fernando Botero The paintings of neo-figurative Colombian artist Fernando Botero appear, on first examination, as playful compositions of corpu- lent figures with unique dispositions. But Botero’s wor
Read More 344 Hits 0 Ratings
Website Designed and Maintained by: Ben Giroux Design
Get Started at: BenGirouxDesign.com