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He’s also a born collector; fascinated by Latin American and Native American art, Martindale began collecting at age twelve. Before launching the LA Art Show, he worked at Sotheby’s.

West Hollywood’s George Stern Fine Art is among the show’s many fine exhibitors. Stern’s specialty is California art from 1880-1950, and the gallerist’s choice exhibit this year will be a 1916 William Wendt painting of La Cañada depicting the area when it was still farm country—no freeways, no buildings.  “It shows post-impressionist influences—loose brush strokes, juxtaposition of color, emphasis on lighting,” says Stern. “I’m using it because there are compositional elements in this painting that are fine examples of Wendt’s techniques. I also think it’s a beautiful painting.”

While Martindale sees the trend in art going mainly contemporary—“The cutting-edge contemporary artists are selling at exorbitant prices,” he says—he’s as excited as Stern about the future for California artists. “I really see the marketplace moving to Latin America, Asia, and the West Coast,” he asserts. “California will be the center of that movement.”  –Lisa Stahl

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Eric McCauley 27 November 2009, 16.00 Curators
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Le Vian Jewels 18 January 2010, 16.00 Designers
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Red Rock 22 November 2009, 16.00 Designista
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Art selected by Daniel Fine Art Services The owners wanted to create something new: a resort and casino, removed both conceptually and physically from the frenetic glitz of the Las Vegas Strip. “There is a difference b
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The Getty Foundation 02 November 2009, 16.00 Philanthropist
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When our country’s largest biennial of international contemporary art, Prospect.1 New Orleans, opened in New Orleans in November 2008, it breathed new life into the historic but ravaged city. And it would not have been
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Jumpstarting An Entertainment Revolution Ben Silverman is aiming to boldly go where no media executive has gone before. Having left a two-year stint as NBC’s co-chair of entertainment, Silverman is looking beyond his
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Yan Pei-Ming 16 July 2010, 11.00 Artists
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Larger Than Life An artist’s work is never done. Yan Pei-Ming has worked tirelessly for a month on his latest installation: 21 double-sided panels that stand before the French Pavilion at Expo 2010 Shanghai. Each panel
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