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Dr. Ulrich Guntram, CEO of Global Art Insurance Specialist AXA Art Group, Reflects on the Market and the Company's Relationship with Preeminent Art Fairs Around the World.
The art world is buzzing with speculation about the viability of the art market amidst the global economic meltdown. At issue: the sustainability of art fairs, the closings and survivals of galleries, collectors’ so-called flight to quality, discovery of fakes and frauds in the market and the question of collecting art purely for aesthetic value or as an alternative investment. These topics are among the plethora of discussion items within the cultural and collecting communities as they struggle to make sense of the financial crisis and its impact on the art-buying public.
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George Billis, Founder
Although George Billis has owned a reputable art gallery in Manhattan and Los Angeles for some time, he is a relative newcomer to the art fair world. Three years ago, though, he ventured forth, founding two up-and-coming art shows: Red Dot and Art Now. Both occupy a unique niche: they provide an avenue for artists and galleries excluded from other art shows.
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Amanda Coulson, Founder and Executive Director
While most art fairs cater to collectors, dealers and gallery owners with business savvy, Amanda Coulson has another vision. Having launched VOLTA in Basel, Switzerland four years ago and VOLTA NY in New York City last year, she has created two distinct venues that have become the place for cutting-edge artists beginning their careers.
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L.A. is no exception to the art fair trend. Here’s a look at two January fairs that had Santa Monica in a state of Stendhal syndrome
Photo L.A.
For the past seventeen years, Photo L.A. has been one of the most exciting and comprehensive venues for viewing and collecting fine art photography. The 2007 edition, held January 25th-28th at the Santa Monica Civic Auditorium, was no exception.
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重点
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FOREWORD BY FRANK GEHRY ESSAY BY DAVE HICKEY CONVERSATION BETWEEN GREGORY AMENOFF, FRED HOFFMAN, CHARLOTTE JACKSON, MICHAEL ZAKIAN AND CHARLES ARNOLDI PUBLISHED BY RADIUS BOOKS
Whe
Szalon 02 11月 2009, 16.00 Designers  There are no translations available.
When most people think of salon culture, they think of Paris. Judith Hoffman thinks of Budapest. “Salons were very popular in what was then Austro-Hungary,” says the Hungarian-born
 Summer 2010 - Next Featuring: • The Guiding Lights of the USA Pavilion at Expo 2010 Shanghai• Inside the Cisco and Shanghai Pavilions• Vivienne Tam• Yang Lan• Lang Lang• Steve Chen• The Marriott in China
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Directors, Museum of Design, Art and Architecture
Zoltan Pali and Judit Fekete aren’t your typical museum directors—they’re also award-winning architects. Yes, these two creative
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French doyenne of design Andrée Putman illustrates that life is best lived not in black, white, or gray, but rather in rich contrast.
Upon opening the door to Andrée Putman’s offic
Sold! 22 6月 2006, 16.00 Collectors  There are no translations available.
AT SOTHEBY’S NEW YORK, PICASSO’S DORA MAAR AU CHAT HAD PADDLES FLYING
For the balance of the twentieth century, her portrait would hang hidden from the public in the estates of onl
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Ibanez Signature Guitars Capture Benson’s Legacy In Motion
Jazz guitarist George Benson’s busy year has included a nine-city tour to such countries as Dubai, Russia, Armenia, a
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Parisian-born photographer Emmanuel Guillaud lives and works in Tokyo. In 2005, he became the first occidental to receive the Tokyo Wonderwall award, a prize awarded every year to 10
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